"There’s a web of impassable ideas that are born from unawareness. I hold many impassable ideas within my very grasp... As long as you have a single thought, regardless of whether not it’s sitting in nothingness or possibility I will be connected. And if I am connected, I am impassable."

“There’s always another story in which contradicts the main story. There’s always a narrative that is more powerful than the one that is the mainstay.”

Some speculate that the Cosmic Hierarchy that includes the narratives of Heir to the Stars and Aeirs Ending was but some of Tuesday Without War’s experiments. Perhaps once it has composed all the data and information it hoped to acquire from the Master Sets it didn’t create, it will return to dispose of these narratives. However, there is no way to really know whether these are Tuesday Without War's true intentions. The conclusion of its trial would've then allowed for the perfect end to befall on all personal, impersonal, and transpersonal interconnecting acausal narratives. If this end were to continue beyond the significant definition of eternity, Tuesday Without War is would set her sights on the narrative that was established by The Golden Strawberry.

An unwritten pre-narrative semper older than ♠The Ace of Spades♠ of lore. Rumor has it that Tuesday Without War is merely a semper, self-aware of herself from herself, but beyond the motion of abstract thought, and that her true self cannot exist in a cosmic transhierarchical master set. Being aware without being created or self-created from an idea, but simply by being aware of herself, she created The Song of Swans, Rabbits, and Cats, which is said to be the crystallized form of the overwhelming amount of ideas that gave birth to the chaos and mystical imbalances in all interconnecting narrative causality chains.

The Ars Deicidium:

Innocent Avarice: Tuesday Without War is fully aware of Fanon Discontinuity, and can utilize said attribute to rewrite the canon of a Verse. Tuesday Without War is fully “Armed with Canon” can cause elements of a work, like characters, events, or episodes to be removed from the canon. Tuesday Without War can be aggressive or subtle, such as removing a single line of dialogue or the specifics of an event from canon continuity, making it fall into the realm of the imaginary or nonexistent. Tuesday Without War takes place of “The Creator”, allowing her to put something out of continuity (acting as the meta-cause of an Act or Divine Will). In the simplest form of explanation, she has the personal, impersonal, and transpersonal (verse) meta-narrative power over Canon Discontinuity.

Innocent Greed: Tuesday Without War has total control over the principle that gives a totalizing, comprehensive account to diverse chronological events, experiences, and collective, cultural phenomena based upon the appeal to Omniversal truth or Omniversal values. Tuesday Without War operates on her own system in which she controls the grand narrative, which is the principle that explains various events in Possibility and Nothingness, gives meaning by connecting dispersed events and phenomena by appealing to some mode or attribute of Omniversal knowledge or schema. Because her very “identity” or “Self” is beyond the parameters of a status to be the Omnipotent Creator of all Verses (Transfictional Omnipotence), Tuesday Without War possesses the Suggs to convince “stories” of her singular truth, rather than what is told/written in order to legitimize various versions of “the truth.”

Innocent Hunger: Tuesday Without War’s very “identity” or “Self” (or lack of/akin to what was said) is beyond the parameters of status to be the Omnipotent Creator of all Verses (Transfictional Omnipotence), Tuesday Without War is beyond any scope of the one and only entity that is the Creator and Omnipotent ruler of all Verses, taking on a specific form and identity in each of them according to their grand context/distinctiveness. Tuesday Without War is beyond any entity that is an omni-dimensional being, existing simultaneously in all Verses as their local Supreme Being that is beyond Names, Terms, Traits, Appearances, and Essence. Despite the fact that she not only changes the meta-narrative of everything, even a Creator, but her own narrative is also in constant change itself, despite never changing. She controls the “logic” that is given in the context of every transcending Pataphysics or meta-narratives. She controls the “definition” of every transcending transfictional continuities, as well as entities that supersedes everything, including themselves, personal, transpersonally, and impersonally.

Innocent Cupidity: Tuesday Without War is not the product of Suggs, but of itself. She is beyond the scope of Suggs, if one took everything in Heir to the Stars and Aeirs Ending, and maximized it and transcended it further, continuously multiplying the highest theoretical form of Power or Suggs demonstrated, she would still be fully beyond “Everything” that is an element of the whole package immediately encompassing the text (Canon) and not part of the text itself. Even the modes and attributes, the All beyond the all of the stuff that isn't a part of the narrative causality/paratext/story itself, but still comes with it; Tuesday Without War is so far beyond it…it may as well not even exist to her. Because of her status, she has full control over the paratext, or rather; she has Transfictional Verse Paratext Manipulation. In other words, she can fully manipulate the totality (the grand principle of creation – the union of nothingness/possibility) of The All that is an element of the whole transfictional continuity immediately encompassing the text (Continuity) and not part of the text itself.