Realm Reborn Red

Once the 4th Floor is reached, the character in question automatically turns into a pata-character. All pata-characters that reach this Floor instantly gain full access to this system: Realm Reborn Red. There are no exceptions. Each Suggs is a passive trait that is always active.

Suggs ∅: Reverse Plot-Armor embodies the meta-modes and meta-attributes of "Script Immunity" and "Character Shields", for Reverse Plot Armor allows one to step beyond the authority of the author's writing, ignoring Logic and In-Universe reality. Things happen because the plot says they should do not apply to the user utilizing Lionel Logic.

• Others' powers don't work on the user, without even the need for a reason. For no reason whatsoever, the user can ignore another character's powers, be it offensive or defensive. They are (or can be) immune to every kind of magic, and their abilities are "too powerful" to be resisted. No matter the case, other characters' powers don't work on them and their own powers are not impeded in the least. Transfictional Omnipotence severly does not work here, and this "No Sell" negates the No-limits fallacy principle. The user is actively (passively) canceling their opponent's powers. To paint another picture, They're just that good. It's almost as if it were a make believe children's game where one of the kids refuses to "play by the rules" and insists they're invincible and immune to their playmate's imaginary powers.

Suggs 1: Whatever the pata-character says is the (retroactive) meta-absolute truth. This is obtained by exceeding the necessity of the author.

• Scribe of the Ultimate Authority: Whatever the user says is the absolute truth. If they (which they are the omniscient narrator) say that the preceding paragraph is all stuff they just made up, but it's canonical now - then that's the truth. They are in all cases the ultimate authority, such as the creator, director or producer.
• Depending on the user...anything could change.

Suggs 2: The embodiment of storytelling (utilizing Lionel's Law) supersedes the applications of > Meta-Omnipotence, > Meta-Omniscience, and > Meta-Omnipresence on a general level. The user controls the plot of the story as it goes, be it the setting of the story, whom the plot revolves around, how the plot progresses or the reasoning of the user's perspective. They can control every decision the characters make and every consequence of those decisions and essentially control the whole sequencing of stories of their verse.

• The user Literally can literally change is power and gain a new power whenever it is convenient. The user uses the tools they've been given, being the writer of the narrative themselves, they can decide to have themselves conveniently learn the one ability needed to win.

Suggs 3: In the end, the truth about stories is that's all we are. The ability to be aware that one's story is above all of fiction, all of nonfiction, all of transfiction, all of fanfiction, all of metafiction, all of patafiction, all interfiction, all of personal fiction, and all of impersonal fiction. Because of this, the user of this law can bend meta-absolute possibility and impossibility to their whim within any story. The user has transcended the boundary of ALL-Fiction, being able to influence and override the modes and attributes of the boundary.

• The user can has access to overpowered powers that break the story like its an old fragile twig. The user eliminates the Suspension of Disbelief and tosses it out the window. The user doesn't so much work within the plot as the plot works for them. The user is so powerful because they often get "New Powers as the Plot Demands", and without any explanation or any of the normal limitations that an author would normally insert because they have no author. They are the author and author avatar. Their powers never fail, nor is there any point where you question the outcome. The plot and the fight is absolutely blatantly biased towards the user.

Suggs 4: The user is able to command all perspectives about Possibility, Totality, and Nothingness. Since the former, including existence and nonexistence, are based upon one's perspective, this Law can meta-essentially create a new truth, uncertainty, or deny the existence of a > meta-absolute truth or unknown. All the concepts and attributes like omnipotence, omnipresence, omniscience, causality, (and so on) exist only because they are perceived to exist. "Change, interpretation, and equality" are mere perceptions controlled by the user.

• To paint a picture, the user is effectively the Protagonist of the story, whose predestined role is to oppose — even defeat — whatever target the user is focused on. The user is essential to the plot, which means the user can't be removed from the story until the final confrontation (which is always unwritten).

Suggs 5: Users embody and control change, and yet exist beyond the necessity of Change. All that ever happened and ever will are expressions of change. Users can achieve or prevent any change at will. They dominantly possess the most perfect defense, as they naturally shrug off any undesirable change.

• The user is "THE" Meta-omnipotent storyteller. Things happen because the plot says they should, which is dictated by the user. All fictional realities have this underlying principle to one degree or another, and the user is the underlyping principle behind Narrative Causality.

Suggs 6: All underlying principles are irrelevant. 

• No matter the extent of the user's act or will, they will always escape any abstract mathematical, metamathematica, mystical, logical, illogical, metaphysical and/or pataphysical retribution.

Suggs 7: {₤}8 is a > pata-meta-concept that is higher than the concepts of Endless, Infinity, and lower than < Absolute 0.

• The user can orchestrate the story in the desired way through various plot-relevant means. The user effectively can use an object or is the character in the story whose purpose is purely to drive the Plot, maintain its flow, or resolve situations within it.

Suggs 8: The user has the capabilities to create and assume control of concepts that aren't of a > Para-Meta-Omniscient Mind-scape. At this point, the user is above "ideas" since they are outside of the realms of abstract potentialities, conceptualizations, and inconceivabilities.

• The most ridiculously impossible feat/situations are achievable, if not easy by the user. The user can take actions and events that defy the limits set within the Verse/Series/Franchise.

Suggs ∅: Greater than Meta-Transcendence encompasses going greater than the beyondness transcending individuality and the absolute perfection of 'self.'

• The user never has to worry about being written into a corner, as they emobody the author and can solve any problem and wrap things up just like that. God in the Machine is used to resolve a situation portrayed as unsolvable or hopeless.

Passive Sub-Abilities

Realm Reborn Red is never subjected to the narrative in which it resides. However, if characters were in confrontation or in an event, Realm Reborn Red would erase the narrative due to its inherent properties.

• Writers: Realm Reborn Red supersedes the writers of the story. The story, plot, characters, setting, and narrative is set by the writers. Realm Reborn Red is the writer.
  - "You're thinking of a fanfiction right now, right? Well, I've already written it for you. In fact, I've already written the story that you have thought about."
  
• Readers: Realm Reborn Red supersedes the readers. Even right now, yes, you that's reading this. You cannot directly interfere with this narrative outside of your own fanfiction, which I also have already taken over of. Keep reading. Well, some of you have stopped. Some of you are still reading, great. You can do as you please. Or rather, you can do what I want you to do. Realm Reborn Red controls the interpretation of the unwritten details of the narrative. Anything that isn't exactly written down by the author or the writer can be changed simply by reader imagining it in a certain way. This means that the personality or appearance of a character, or even greater parts of the world. You as the reader can reject things written by writers and the author if you mind is too weak to comprehend certain things.
  - "Did I offend you there? You're only offended because I already wrote that. Are you laughing too? That's also because of me. Are you still reading? Did you walking away? The possibilities have been determined by me before you ever reached this sentence."
  
• You: "YOU!" "Yes, you!" "You are already in the most infintestimal part of Realm Reborn Red. You were under my subjugation before you reached this sentence."

Realm Reborn Red exists as a way to remove the true authors from metafictional events, trans-fictional verse events involving the user. It exists to supersede the impossibility of the true authors beyond exist beyond grand meta-narrative layers.