♠The Art Gallery♠ is the pinnacle of the First Floor. Everything within the First Floor in comparison to ♠The Art Gallery♠ is nothing but a blank space.

♠The Art Gallery♠ is the absolute unformed expanse beyond everything within The First Floor, operating in an indecipherable position of pure stillness, outside of the First Floor and beyond the limits of expressions and cataloging altogether, which is beyond names, terms, and essence that is unable to be captured by language or conception and will always remain fully unsolvable and out of attainability to any truth-type of label or conceptualization which any Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction may attempt to impress upon ♠The Art Gallery♠, superseding meta-conceptual associations.

♠The Art Gallery♠ is maximal all-encompassing totality in which all that is a thing, thing-in-itself, and thing-above-itself “Act”, being a never-ending, inexhaustible withdrawnness.

♠The Art Gallery♠ is the overarching state of oneness, sameness, cosmic otherness, and be-ness, whose absolute temperament is completely detached from modes and attributes completely, "inaccessible" as ♠The Art Gallery♠ has no representation of name, term, or essence.

The first daguerreotype reiterates ♠The Art Gallery♠’s position that The Road to Tomorrow represents the “accumulated Excellence of the Spades”, a ♠ of suggs that “is the uninterrupted proof covering The First Floor of all respective experiences” making it that The First Floor is a mere illusion in comparison to ♠The Art Gallery♠.

The second daguerreotype reiterates the first fundamental ♠ (see above), calling the suggsprinciple “the fundamental excellence in that suggslogic [of cosmogony]”. Here ♠The Art Gallery♠ paints this suggsprinciple that it is “the impassable ♠-suggsprinciple, the one deep-seated cause that precedes existence that precedes essence. … It is called “♠The Art Gallery♠,” for it raises “suggs” on the plane of the manifested and unmanifested, an illusion, while it remains a “grand principle” in the beginningless and endless abstract, visible and invisible illusions. It is the omnipresent Reality: impersonal, because it contains all and everything. Its impersonality is the fundamental meta-conception of the phase called The First Floor.

The third daguerreotype paints the second fundamental intention of the Limits of Power, impressing once again that “The First Floor is the suggs that precedes existence that precedes essence of the manifestation of this unknown Absolute Essence.”, while also touching upon the complex Suggslogical domain of the 118 grand principles of The Mainfold. This item presents the idea that the boundless unconditioned and absolute grand principle is covered over by its veil, which is unknowable, that the suggslogical essence is forever covered by the illusionary suggslogical essence.

The fourth daguerreotype is the suggslogic behind the common cardinal initiative of Maya (illusion). ♠The Art Gallery♠ states that the entire First Floor is called "illusion" because everything in it is a fleeting dream, i.e. and is therefore unreal in comparison to ♠The Art Gallery♠ and its residents.

The fifth daguerreotype paints the third fundamental suggsprinciple, stating that everything on the First Floor is suggslogically alert, in its own way, and on its own plane of what can be akin to perception. Because of this, the Realm Reborn Red Philosophy states that there are no unconscious or blind laws of Nature/Suggslogic, and that all is governed by ♠The Art Gallery♠.

The sixth daguerreotype gives a nucleus suggslogical design of the Suggsverse Kagami von Ende philosophy, that “as (impassably) above, so (inaccessibly) below”. This is the basic premise of oneness, sameness, and cosmic otherness that everything in the First Floor is worked and manifested/unmanifested from within outwards, or from the higher to the lower, and that thus the lower, the microcosm, is the copy of the higher, the macrocosm. This daguerreotype gives rise to the suggslogic of an “absolutely endless series of boundless hierarchies of absolute meta-omnipotent supreme beings over All, The All, and THE ALL”, which itself becomes a central idea of many Suggsophists.

♠The Art Gallery♠ is the maximum significance of power itself, meta-boundlessly disconnected from what’s beneath it. No matter the possibility, impossibility, totality, or nothingness, ♠The Art Gallery♠ is the highest maximal article that encompasses all that can be ordered and expressed in unmanifest and manifest phenomena and transcendental forms of phenomena.

♠The Art Gallery♠ is ♠The Art Gallery♠ which is always greater than itself, surpassing the be-ness of the maximal echelon of power that is incapable of being imprisoned by any meaning (linguistic), meaning (non-linguistic), meaning (philosophical) of language.

♠The Art Gallery♠ is not bound by grand principles, transcendental structure, or suggslogical cataloging as ♠The Art Gallery♠ negates all applications to ♠The Art Gallery♠ whatsoever to the maximal strength where any names, terms, and essence; and essence that is unknowable will always fail to illustrate ♠The Art Gallery♠. ♠The Art Gallery♠ by necessity precedes existence that precedes essence which is utterly and maximally beyond the design of boundaries -- completely beyond any form of logic, metalogic, transcendental logic -- beyond the layers of conceivability, meta-conceivability or inconceivability.

• Even this page itself fails to illustrate ♠The Art Gallery♠.

Also, see Residents of ♠The Art Gallery♠.

Also, see The Little Ebony Cat's journey.