Alex Victory

(The World Champion)

Alex Victory is a character that appears in Heir to the Stars: Chris Raion Spades, Heir to the Stars: Adam Conquest, Heir to the Stars: Skylar Kousenshou, Continued Story…, and Heir to the Stars III. He is the World Champion.

Photo NovelHeir to the Stars: Chris Raion Spades Heir to the Stars: Adam Conquest Heir to the Stars: Skylar Kousenshou Continued Story… Heir to the Stars III
PhysiologyHuman / Unwritten Victory Personification
Height(Appears) 7’0 / Inapplicable
Weight Inapplicable
Eye ColorBlack White
Hair ColorBlack
Birth DateUnknown
Birth PlaceUnknown
Love InterestsNone


Alex Victory appears near the final chapters of Heir to the Stars: Chris Raion Spades, confronting Fallen. He demonstrates astonishing and dangerous power for being a human. His level of power demonstrates to be so extreme that Chris Raion Spades takes immediate notice.

Alex Victory is first mentioned by Adam Conquest in Heir to the Stars: Adam Conquest, complementing his power, also acknowledging that he has experienced his personally. Later on, Alex Victory easily defeats The Archangel Gabriel. The victory was so easy, Alex Victory thought that the archangel was a fake. Later, he defeats Siegfried Licht, after Shamshir, Keith Jericho, and Adam Conquest fails to do so. By the end of the book, Adam Conquest challenges Adam Victory “The Champion of Champions.”

Alex Victory appears in Heir to the Stars: Skylar Kousenshou, challenging Skylar Kousenshou to battle, after seeing her previous encounter. However, she questions him about a clue, and he answers her, but he does not allow her to depart on her journey. Instead, the battle begins between the two as Alex Victory cannot allow her to exist because of her cursed existence. However, the battle unexpectedly ended, without a winner.

In Continued Story…, Alex Victory is seen effortlessly felling ♠The Ace of Spades♠; absolutely unsatisfied with how weak and small the former creator of Suggsverse really was.

In Heir to the Stars III, to be written…

⎈The JOKER⎈’s

Dlclaifsein Cosmogony

⎈The JOKER⎈’s Dlclaifsein cosmogony reveals that a Voyager bestowed the passive and active aspect of VICTORY to Alex Victory. Alex Victory has the highest aspect of victory functions, and is described as “True Victory (no matter what)”. This is the Unwritten “above” ♠The Ace of Spades♠, and manifests through the work of the Heir to the Stars. Alex Victory is an uncaused unwritten Victory before the principles that establish “is”, “is-not”, and “I AM”.

The very retrocausality and acausality of Alex Victory actively and passively creates an “I AM” that supersedes all modes and attributes of the foundation of every single “Verse” of every category, possibility, potentiality, and theory within and outside of Possibility, Impossibility, Nothingness, and Totality – ever mentioned or seen (and above the absolute boundless transcendence beyond transcendence amount never mentioned, seen, or even conceived of yet…) on every single personal, impersonal, and transpersonal level.

Powers and Abilities

(Pre: “Continued Story…”) Alex Victory is a mere human that exists above any Allscape level of power.

Victory Embodiment | Absolute Invincibility: Alex Victory’s existence is literally “I’m always stronger, always higher, always faster, and always better. He is always more You than You yourself. Because of this, he is absolutely unable to lose, embodying Victory on a Mainfold level.

Flex: ‘By flexing his elbow, he completely unmade the existence of an infinite Omniverse.

Fully Transcendent: Alex Victory and Fallen stood before each other as if they were suspended in animation. However, the reality behind this was the two of them testing each other’s power. Alex Victory encompassed every aspect and essence of all levels at a meta-infinite presence. Both of them were striking with their thoughts alone, leaving not a single infinite Omniverse or Region left in their wake.

  • Alex Victory connected with a very light punch to Fallen’s face an unchanging, infinite and incalculable amount of times before an instant or information could process. With each light punch, he eliminated as many infinite Omniverses.
  • When Alex Victory and Fallen attacked each other, they attacked each other into a system of void that was even beyond the levels that they existed. The reality behind the void was beyond any showcase of a transcendent reality. Their presence had reached a level of where even meta-infinitudes of the infinite scope could not calculate or process. Presence, information, change, immanence, being, and self could not process their movements or reality. The two encompassed each other’s very being, exceeding each other’s realm. With a single punch from the both of them at a meta-infinite level, at a meta-infinitude amount of times, beyond all levels in an unchanging moment, they had erased the Alphaverse, leaving nothing left…

Absolute Invulnerability: During their fight, Fallen infinitely punched Alex Victory in the face at an infinite and immeasurable amount of times before information and change could process a single punch, eliminating an infinite Omniverse with each punch. It did not even affect Alex Victory.

Godhand: A huge burst of empty energy explodes from his fist, erasing and unmaking 1/5th of The Mainfold, and 1/5th of the Alphaverse.

Pandora’s Box: Alex Victory multiplies himself by the infinites and above. Each of them multiplies themselves by the infinities. Each of Alex Victory’s attacks is meant to completely remove a target from every possibility.

The Big Bang: Alex Victory is able to unleash the Omniversal Event; the Big Bang. He also unleashes the Omniversal Wavefunction Collapse. To elaborate, he unleashes an all-encompassing wave of energy that erases the entirety of the infinite Alphaverse. In actuality, he erased 3/5ths of The Mainfold when he did this.


Alex Victory has stepped beyond his former Physiology and is now the Written/Unwritten principle of Victory. He has fully surpassed the landscape of victory definitions of the Heir to the Stars entirely.

In Continued Story…, Alex Victory fully surpassed (in all categories and statistics) ♠The Ace of Spades♠, easily felling the Creator of Heir to the Stars. The battle was so one-sided, that Alex Victory was beyond disappointed at how weak the Creator was. This is to note, the Creator of Heir to the Stars was “seemingly” at Tier 6 at this point.



The word “dijehphysics” derives from the Suggs word “θ♠çã” (dijeh) (“The ♠Ω transcendence beyond ♠∀”) and the Greek word “φυσικά” (physiká) (“physics”).
Dijehphysics is a ∀philosophy or ∀method of inquiry based on the premise that Bellissima is personally independent, impersonally independent, and transpersonally independent of the ∀Cerebralscape of Creation. It explains a ∀philosophy that explains the higher forms of awareness and understanding beyond the ever transcending ladder of zenith of ☼♠Tiras-Para-MetaOmninous.
In modern ∀philosophy, Bellissima is a general term used to refer to any of the greater totalities of measures of Nous beyond the all-encompassing apex of this maximum, which develops and supersedes awareness throughout those that have surpassed Creation. Now, while these measures vary greatly based on various factors, from their independent derivation, to individual means and measures used, to the very flow of Nous itself in the context and paratext in which the measure was developed and utilized.
The term is used as a means of comparison for the self-styled True Measure of Art and Vantage Point, which is the chosen means of measuring any contextuality above ãǯ≡Totality¿, ãǯ≡Possibility¿, and ãǯ≡Nothingness¿ used in the reference itself and transcending itself, and the measure which defines the Pre-Creation Chart and that while exists a step before the prelude before that of the unwritten unknowable unknown.
Dijehphysics encompasses Bellissima, taking it a step further. Dijehphysics fully realizes the styled True Measure of Art and Vantage Point, superseding the necessity and essentially of personal consciousness, transpersonal consciousness, impersonal consciousness, Paraconsciousness, Cipherconsciousness, and Evanescence, establishing a Property-in-itself and Realization-of-itself.
In modern ∀philosophy, tiraslogic, and sumsematrix are ladder properties – an attribute of a self-created Wilhelm; a red nothingness Wilhelm is said to have the ladder property of metaomnipotence. Wilhelm in its own right supersedes and possesses other ladder properties. There is no tiraslogical concept of class because Wilhelm is singularity and individuality and does not have any concept of extensionality, and from the ∀philosophical concept of class in that a ladder property is considered to be distinct from the Narrative Causality and Narrative Acausality which it transcends. There is no failure in understanding how different individual entities (or particulars) can in some sense have some of the same ladder properties.
Dijehphysics transcribes Suggslogic within itself, as that it dictates and dominantly directs paratextual patterns and paratextual mappings of all hierarchical definitions and patterns of interiors and exteriors.
One of the most basic and simplest notions of Dijehphysics deals with Kevin. Kevin creates a very elaborate 2 part definition, which is the basis for Vyrcus, Isilmarronax, Emmexenedrbreaus, C’Neliserie I’sensin, and Lionardanelles.
Kevin encompasses one of the grand equations. It is the equation that elaborates the truth of за-actualism, за-­possibilism and за-uncertainism (за means ) Through this grand equation, answers and questions become null and void. Potentiality and Actuality are irrelevant. It eliminates the stellar transcendent climbing interversal relationships of meanings and value and creates a single solution for determinism.
∀_R (♠) =x/8 and ℘_R (♠) = (⦭+∀)/ⱥ, which creates the paragigasolution of: Xiδ_‰ (₵)\cong ∀_Re;( ₵i2)\ ₵ONCEPTᴓ >∞.
Kevin is the very ground principle which not only answers, but ever exceedingly transcends beyond transcending…
∀_Re;0. Nonfictional MetaOmnipotence, Transfictional MetaOmnipotence, Fanfictional MetaOmnipotence, Metafictional MetaOmnipotence, Patafictional MetaOmnipotence, Interfictional MetaOmnipotence, Personal fictional MetaOmnipotence, and Impersonal fictional MetaOmnipotence.
∀_Re;1. Nonfictional MetaOmnipresence, Transfictional MetaOmnipresence, Fanfictional MetaOmnipresence, Metafictional MetaOmnipresence, Patafictional MetaOmnipresence, Interfictional MetaOmnipresence, Personal fictional MetaOmnipresence, and Impersonal fictional MetaOmnipresence.
∀_Re;2. Nonfictional MetaOmniscience, Transfictional MetaOmniscience, Fanfictional MetaOmniscience, Metafictional MetaOmniscience, Patafictional MetaOmniscience, Interfictional MetaOmniscience, Personal fictional MetaOmniscience, and Impersonal fictional MetaOmniscience.
∀_Re;3. Nonfictional MetaOmniarch, Transfictional MetaOmniarch, Fanfictional MetaOmniarch, Metafictional MetaOmniarch, Patafictional MetaOmniarch, Interfictional MetaOmniarch, Personal fictional MetaOmniarch, and Impersonal fictional MetaOmniarch.
∀_Re;4. Nonfictional MetaOmnifarious, Transfictional MetaOmnifarious, Fanfictional MetaOmnifarious, Metafictional MetaOmnifarious, Patafictional MetaOmnifarious, Interfictional MetaOmnifarious, Personal fictional MetaOmnifarious, and Impersonal fictional MetaOmnifarious.
∀_Re;5. Nonfictional MetaOmnilock, Transfictional MetaOmnilock, Fanfictional MetaOmnilock, Metafictional MetaOmnilock, Patafictional MetaOmnilock, Interfictional MetaOmnilock, Personal fictional MetaOmnilock, and Impersonal fictional MetaOmnilock.
∀_Re;6. Nonfictional MetaOmnicounter, Transfictional MetaOmnicounter, Fanfictional MetaOmnicounter, Metafictional MetaOmnicounter, Patafictional MetaOmnicounter, Interfictional MetaOmnicounter, Personal fictional MetaOmnicounter, and Impersonal fictional MetaOmnicounter.
∀_Re;7. Nonfictional MetaOmniconmpetence, Transfictional MetaOmniconmpetence, Fanfictional MetaOmniconmpetence, Metafictional MetaOmniconmpetence, Patafictional MetaOmniconmpetence, Interfictional MetaOmniconmpetence, Personal fictional MetaOmniconmpetence, and Impersonal fictional MetaOmniconmpetence.
∀_Re;8. Nonfictional MetaOmninegation, Transfictional MetaOmninegation, Fanfictional MetaOmninegation, Metafictional MetaOmninegation, Patafictional MetaOmninegation, Interfictional MetaOmninegation, Personal fictional MetaOmninegation, and Impersonal fictional MetaOmninegation.
∀_Re;¿0. Nonfictional Inverse-MetaOmnipotence, Transfictional Inverse-MetaOmnipotence, Fanfictional Inverse-MetaOmnipotence, Metafictional Inverse-MetaOmnipotence, Patafictional Inverse-MetaOmnipotence, Interfictional Inverse-MetaOmnipotence, Personal fictional Inverse-MetaOmnipotence, and Impersonal fictional Inverse-MetaOmnipotence.
Dijehphysics lists Kevin as a simple fragment however, within its ensemble of ∀philosophies that creates Dijehphysics.



Verseology encompasses and defines the foundation of every single existential and nonexistential “Verse” of every attribute, category, mode, possibility, potentiality, and theory within and outside of Possibility, Impossibility, Nothingness, and Totality – ever mentioned or seen (and above the absolute inaccessible transcendent multiplicity amount never mentioned, seen, or even conceived of yet…) of all of Fiction, all of Nonfiction, all of Transfiction, all of Fanfiction, all of Metafiction, all of Hyperfiction, all of Patafiction, all Interfiction, all of Personal fiction, all of Impersonal Fiction, all Literacy Genres (encompassing Narrative Causality that we are all stories) and all of ∀Fiction – on every single personal, impersonal, and transpersonal level.


A Verse is a Continuity in which encompasses a franchise of Stories written (or transcendently written) by an Author/Creator (which may or may not have established the foundation for which it exists). Verseology is the realm in which a Verse is defined, as well as the realm in which an existential and/or nonexistential Continuity is defined. A Verse is generally encompassed by Possibility, Nothingness, and Totality; but even those attributes are defined in Verseology. The higher dimensional attributes of Possibility, Nothingness, and Totality are of no relation.

Verse Principles

For any given story tier, there exists rudimentary elements that, no matter how possible or impossible, their manifestation is required for the story itself to happen. If not, there would be no story. Verse Principles is the realm in which defines this very mode. Different laws encompassed by categories and zeniths of “Omni” are defined  by the Verse Principles, and tiers of narration and plot index are assimilated and defined within Verse Principles as well. Verse Principles defines the stage in which a Plot/Story/Verse/Author is created and is allowed to operate. Verseology encompasses this plane and Paratext and turns all theories into actuality and above.

The Grand Stage

Verseology consists of several “Grand Stage” systems of ParaOmni based on the premise that there is always something greater than the highest point; transcendence surpasses perfect sets, and thus transcends even itself.

The Grand Stage is where Transcendence itself is defined, and thus the trigger for it is set. Improbables, Impossibilities, Inconceivables, and Imaginatives are set on the Grand Stage, waiting for the trigger to take center stage. Verseology defines the attribute of “Selection” and allows for said attribute to manifest within a Verse, within an event, and etc.

The Grand Stage goes far beyond that in which the fully transcendent Author of a story can operate, for without the Grand Stage, there would be no fully transcendent Author of the story and within the story. An index created by the plot cannot be formed without the Grand Stage’s decree or very observation. In order for something to exist or happen for no reason other than that the plot requires it to, the Grand Stage must allow for a “selection” to take place, in which the fully transcendent Author is allowed to create said attribute for the event for it to manifest. The Grand Stage embodies an ever transcendent ladder in which the highest point is always at the bottom, never being able to climb higher for always being at the top can only subjugate the highest point of authority to the logic of the lowest.


Suggsology is a paraphilosophy within Verseology that transcends unsolvables, the narrative causalities, and Word of Authors. The very realm of the Verse, which is by default under the foundation of its Author, is outright ignored.

Suggsology bypasses all theories and philosophies of Creation and that which was Written, Willed, or Acted; establishing a realm that houses solutions and transcendence to every Plot/Story/Verse/Author (and above the concept of an absolute boundless multiplicity amount never mentioned, seen, or even conceived of yet…) that was, is and could be.