Schala is one of the grand background mysteries of the Universe and transcends names and terms and in essence, is unknowable. Schala is in respect to the interpretation of an all-encompassing force above all others. Anything finite, changeable, fleeting, and conditioned cannot be attributed to Schala.

Schala is the hierarchy of stories that operate on the foundation of characters rewriting themselves into the story, superseding the ladder of authors, which allows the characters to be above the concept of the story - completely superseding contradiction and the hierarchy of contradictions.

• Schala allows characters to transcend into our plane of existence, superseding the expanse of Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, or a priori and a posteriori Fiction in which they come from.
• The feats of the character are not due to the author of the story anymore, as they completely supersede the truth of the author and linked story.

Characters that are able to change reality and everything around them in the story can absolutely change things outside of Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction.

• Said characters can exist in this world, superseding the concept of being and be-ness.
• It's not simply that the author can break the 4th wall, but characters that realize Schala have access to our plane of existence.
• Through this, a character can be above the author, superseding said author's authority and ignoring the creation of the author through a locked retrocausality - meaning that they were never created by the author, and thus the surpass Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction.
• All anchors to Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction disappear - all groundedness to being, be-ness, and oneness never existed to begin with.
• Characters transcend realistic and logical senses, completely transcending a hierarchy of transcendence and going beyond their own plane of existence within Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction. However, those planes of existence collapse logic and metalogic, stepping outside the layers of fiction that are personal to their home world, and our plane of existence is completely tethered within that fiction.
• All types of statements of surpassing the author and the narrative hold uncollapsable weight, especially when it comes to power.
• If a character transcends fiction while in a fictional fight, they simply surpass that plane of existence that their power was being measured on, attributing them to an immeasurable scale of power.

Once Schala is realized, characters completely "bypass the fourth wall as a legitimate feat" superseding any variety of claims.

• Characters break the fourth wall or transcend the author of their own volition.
• Characters are not written to do the aforementioned as they supersede any author authority that can be translated into Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction.
• Characters truly transcend the author and the be-ness, oneness, and hierarchy of transcendence above Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction - as they have already literally leaped out of the pages and enter our own reality, transcending any groundedness of logic and provability.

Schala is the actuality and possibility of fictional transcendence.

• It supersedes metaphysical sense and pataphysical sense in Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction.
• In particular, it is through Schala that Metafiction makes sense. The writer may not write other fiction, but characters that exist beyond all fiction ignores all exemptions.

The hierarchy of Metafiction is "beyond fiction," a "higher level of fiction," always transcendent of fiction.

• There's a boundless overlap between fiction and reality with boundless steps in-between fiction and reality with irrefutable physical interaction between fiction and reality.
• "The author" within a work of fiction can be just another fictional character, or said author can absolutely step beyond Fiction, Nonfiction, Transfiction, Fanfiction, Metafiction, Patafiction, Interfiction, Personal Fiction, Impersonal Fiction, Incompatibilism Fiction, Impossible Fiction, Speculative Fiction, Xenofiction, Universal Genre, Universal Trope, Paratexts, Memetic Fiction, Transformation Fiction, and a priori and a posteriori Fiction.
• All metafictional feats transcend logical quantifiers as they operate on higher be-ness truth-type actualities.
• Characters that can touch the context of Metafiction can ascend above the real author.