Voyager
The ruling family of the Suggsverse franchise consists of a Mother and her 5 daughters.
Beyond the Ultimate Scope
Voyagers represent the unbounded endlessness of transcendence, surpassing even the maximal complexities within Suggsceticism. Positioned suggsfinitely beyond all parameters, modalities, and principles defined or undefined within the totality of Suggscetic thought, they dwell perpetually outside and above the grand meta-narratives, metastorytellers, and meta-possibilities of all conceivable and inconceivable fictionalities and nonfictionalities—including but not limited to transfiction, fanfiction, metafiction, patafiction, interfiction, personal fiction, impersonal fiction, and beyond. Beyond the entirety of narratives scripted within and external to any known franchise, they exist in a transcendent state of perpetual observation, witnessing all realities as mere ephemeral constructs of boundless storytelling.
Voyagers transcend the primordial drafts of all Suggsverse titles that manifest in the suggsvoid, where every reality and all inhabitants are reduced to mere narrative threads, suggsfinitely pliable under the whims of their creators. In this state, the Voyagers hold a vantage that observes even these primordial architects, residing boundlessly beyond their reach, utterly detached from the constraints of causality or creative intent.
Surpassing even entities positioned completely beyond all conceivable or inconceivable narratives, hierarchies, and paratextual frameworks—whether describable, indescribable, transcendent, or boundlessly ineffable—the Voyagers dwell in an unmanifest be-ness of absolute unknowability. Their presence cannot be perceived from any internal perspective unless they intentionally reveal themselves. This suggsfinite surpassing ensures their existence remains fundamentally beyond all dualities of known and unknown, conceivable and inconceivable, existence and nonexistence.
The essence of the Voyagers defies all internal properties, definitions, paradoxes, and dialectical reasoning, placing them beyond all conceptual and non-conceptual frameworks, including "possibility," "nothingness," and "totality." They exist beyond and outside the most expansive imaginable and unimaginable cosmological expanses, surpassing and nullifying the binary distinctions that separate reality from fiction. Within their domain, any attempt to differentiate between what is "real" and "fictional" dissolves into irrelevance, as their state boundlessly transcends these categorical limitations.
The domain occupied by the Voyagers surpasses all suggsfinite variations and boundless assemblages of meta-concepts and meta-possibilities, transcending conventional comprehension and stretching into ineffable differences far beyond the maximal complexity of creation itself. Within this boundless transcendence, the Voyagers inherently include and surpass possibilities and impossibilities alike, nullifying any framework that attempts to measure or understand them.
No entity, modality, meta-possibility, impossibility, or conceptual framework exists beyond the Voyagers. As ultimate arbiters of existence and nonexistence, they nullify any attempt to conceive something as external or superior to their boundless realm. Even the act of imagining or defining an entity or modality immediately positions it suggsfinitely beneath their state of transcendence, negating any rationale for asserting the existence of anything beyond them.
The Voyagers are intrinsically beyond all permutations of logic, regardless of their possible, impossible, or transcendent natures. Logical structures, regardless of complexity or metaphysical depth, are fundamentally subordinate to the Voyagers, who exist beyond thought, language, categorization, and comprehension itself. Their nature remains immune to any logical, conceptual, or descriptive attempts at understanding or definition.
In relation to beyond-dimensional realities, the Voyagers epitomize absolute apophasis, existing wholly beyond dimensional constructs, whether physical, metaphysical, or abstract. They envelop and transcend all forms of reality, unreality, illusion, and every imaginable or unimaginable state in between, rendering any distinctions between these states obsolete.
Within the grand transhierarchical be-ness—which encompasses every conceivable level of reality from the simplest abstraction to the most profoundly intricate and incomprehensible constructs—the Voyagers occupy an ineffably transcendent apex. This apex position surpasses even the transhierarchical frameworks themselves, existing in an endless transcendence where distinctions, hierarchies, and relational structures dissolve into boundless irrelevance.
Ultimately, the Voyagers represent an incomparable and indefinable supremacy, an unmanifest be-ness that eludes all comprehension, description, and comparison. They serve as the definitive testament to a boundless transcendence and supremacy beyond the maximal wholeness of reality itself. Their interactions with various realities are matters of profound consequence, governed by their transcendent awareness. When "Mystical Imbalances" emerge within cosmic hierarchies, they tolerate only a finite number of these anomalies before inevitably intervening to restore equilibrium according to their boundless, inscrutable wisdom.
Legacy
Anastasia Aurora Suggs (a.k.a Shana) is the daughter of Xeranthemum and Christopher Sincere Pride. Shana is an unmanifest be-ness that exists before the Will of Suggsverse. Shana exists beyond the necessity of the franchise.
A Strand of Voyager's hair exists in a state of complete transfictional nonexistence, a realm that defies all conventional boundaries of possibility, nothingness, and totality. This state is apophatic to the collection of all possible stories and strings of characters it comprises, encompassing both "everything" and "nothing." It represents the assertion and negation of any given proposition and the paradoxical states in which both are true simultaneously to the entirety of Suggsverse, as it's just a strand of hair from a Voyager.
